Articoli taggati con ‘contemporary art’

The Market. Documents of Contemporary Art

di Francesca Quadrelli

Edited by Natasha Degen, “The Market. Documents of Contemporary Art” is an interesting anthology, which offers an interdisciplinary introduction to the evolution of the contemporary art market, its relation to value and its effect on artistic practice, taking into account different perspectives.

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Art of the Deal. Contemporary art in a global financial market

di Francesca Quadrelli

The book offers a complete picture of the art market and the growing connection between art and money, becoming an indispensable reading for all students, academics, professional players and passionate who want to know how the art market works.

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Tafterjournal n. 74 - agosto 2014

Contemporary art fairs as new forms of cultural consumption and urban experience

di Enrichetta Cardinale Ciccotti

Contemporary art fairs are commercial exhibitions where art dealers meet up over the course of several days at a specific event. Nowadays they are held around the world, offering attendees the opportunity to experience in just a few days what otherwise would only be possible by travelling all over the world. This study has selected some key aspects of the contemporary art fairs expansion, focusing on their historical background and on contemporary globalization aspects of the art system. While exploring the art fairs territory, the contemporary art system often finds common grounds with attitudes observed in more-encompassing cultural and creative industries. Art fairs, as many other cultural industry events, such as music and cinema festivals or fashion weeks, share the “show – spectacle” notion in the public culture. Within this context, some analogies can be made as regards the common networking necessities of these industries, but it is also worth highlighting the emergence of art fairs effectiveness in enhancing the contemporary arts and the consumption of creative products.

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Art as an investment?

di Vittoria Azzarita

Pointing out similarities and differences that exist between art and other kinds of assets, Melanie Gerlis – the Art Market editor of The Art Newspaper – try to figure out an answer to the question whether art is a good investment or not.

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Tafterjournal n. 71 - maggio 2014

Contemporary Art and Urban Regeneration in the City of Milan

di Federica Codignola

In an enclosed space, such as a district, a city, or an area within the city, creative potential is intimately linked to the degree of knowledge and innovation, let alone the kind of cultural opportunities that space provides. On a global scale, the trend seems to be that of first creating and then promoting creative and cultural circuits in urban spaces in accordance with competitiveness and value production criteria. These strategies have multiple objectives. These range from the more intangible ones, such as finding a role for a city or an area within the knowledge economy, to the more measurable ones, such as those that show immediate economic results. Different criteria and means can be used to evaluate the achievement of the stated objectives. This article examines the current transformation of the city of Milan within the above-described interpretive framework. Such transformations are often directly linked to creative and cultural representations. This article places and examines contemporary art at the centre of these transformations. Art, and contemporary art in particular, could play a most beneficial role in city’s regeneration.

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Tafterjournal n. 69 - marzo 2014

The importance of being evaluated. Guidelines and tools to plan a worthy evaluation of cultural projects

di Alessia Palermo

Talking about culture production, we need to shift The importance of being Earnest in The importance of being evaluated. The longing of evaluation it is in fact, by now, intrinsic to any cultural project: sponsors, stakeholders, project managers are all aware of that; however, while the crucial relevance of evaluating is no more called into question, there are still many doubts concerning how an evaluation should be planned and fulfilled. The aim of this article is to give some simple, but practical and solid, guidelines to conceive a worthy analysis of cultural projects, of any kind.

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